William Hope Hodgson’s NIGHT LANDS Volume II
Nightmares of the Fall

Reviews


GARDNER DOZOIS in YEaR'S BEST SF 25



Another substantial and intriguing anthology is the William Hope Hodgson tribute anthology, William Hope Hodgson's Night Lands Volume II, Nightmares of the Fall (Utter Tower), edited by Andy W. Robertson, a follow-up to the original Hodgson tribute anthology from 2003. (Some commentators are listing this as an original anthology since the individual stories have never appeared in print before, but since they've all been available at the Night Lands website (www.nightland.co.uk) for several years, I've decided to treat it as a reprint anthology. There is frequently interesting new content up on the website, though, including at the moment a new novella by John C. Wright, so you should check it out.) As with the previous anthology, all the stories here are written as homages set in the milieu of William Hope Hodgson's strange and eccentric masterpiece The Night Land- one of the probable inspirations for later works such as Jack Vance's The Dying Earth and Gene Wolfe's The Book of the New Sun - and also as with much of the previous anthology, not all of the previous authors handle this stylistically tricky material with the same authority. As was true of the previous anthology, the best stories here are two long Novellas by John C. Wright, who, in his mannered, Victorian, slightly faustian prose, seems to be born to write this sort of thing, but there is also good work from Gerard Houarnet, Brett Davidson, and Andy Robertson himself.
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review of "Little Watcher" (story in NL II) on its original appearance in INTERZONE

Now we come to what was by far my favourite story in this issue of Interzone. Brett Davidson's "The Little Watcher" is one of a series of stories written by various authors set in the world of one of the greatest classic fantasies of the early twentieth century, that of William Hope Hodgson's eerie and outstandingly original masterpiece The Night Land, which was published in 1912. Directly inspired by the final haunting "far future" sequence at the end of H. G. Wells's classic The Time Machine, The Night Land rivals or surpasses Wells and the later classics of Olaf Stapeldon in portraying a truly alien and incomprehensible distant future, from which viewpoint we and all our works are nothing but a footnote in the fossil record or mythology (if even that). In this unimaginably distant future the sun has grown dark and cold, and the teaming millions of the human race have retreated into humanity's final refuge, the Last Redoubt (or Great Redoubt). The Redoubt is an immense pyramid eight miles in height, but with levels stretching hundreds of miles underground, contains over thirteen hundred cities, and is surrounded by the Air Clog (in effect a heat barrier or force field, an amazing concept way back in 1912) which has, for millions of years, protected them from any influences and intrusions by the monstrous denizens of the outside world, the Night Land. The Night Land is infested with weird and wonderful creatures, some off-shoots of humanity and some not, and all of which besiege the Redoubt on every side. By far the most dangerous and unfathomable of these are the huge, mountain-sized Watchers, who are attracted to the Redoubt like moths to a flame. No-one knows what they are, where they came from, or what they want. Nor can anyone look at the gaze of a Watcher, which alters and corrupts all it touches. Any who are infected must be immediately killed, lest they infect everyone else, and any inanimate object which shows signs of being altered by a Watcher's gaze must also be destroyed. Only the Air Clog protects the Redoubt and its inhabitants from the gaze of the Watchers, but it can't do so forever. Very few humans have ever survived a journey Outside, as these usually end in death, insanity, or worse.

The Redoubt has withstood the direct sight of the Watchers for many millions of years now, but "The Little Watcher" takes place at a time when the human population is starting to dwindle and the Electric Circle, the power source that maintains the Air Clog, is beginning to weaken. The Watchers sense this and are beginning to draw nearer to the Redoubt. Their gaze is beginning to penetrate the walls, and lately projected images have been breaking through and manifesting themselves in random places throughout the various cities. There is great concern among the citizens that humanity might at last be losing their near-eternal battle with the Watchers. Few can withstand the gaze of a Watcher and live, and almost all who do go insane. The corruption of the Watchers can break into the Redoubt even through the dreams of the infected.

The story revolves around Kore, a young female, and her mentor, the famous warrior and hero Master Pallin. Kore is the most important of a gifted elite, the Watchmen, seers who serve as living spyglasses to look upon the Watchers from the Tower of Observation. These observations are essential if the human race can ever hope to find out enough about the Watchers to combat them. Mostly the seers can look upon the Watchers safely, but this is not always the case. Sometimes infection can still break through, and does so during one of Kore's observations, which goes badly wrong. She becomes infected by a Watcher's gaze, and begins having strange dreams, most focusing on a mysterious "Little Watcher", and is becoming the focal point for an increasing number of intruding images and signs which appear throughout the city, corrupting and unsettling the population. A number of others are also infected, becoming "attractors", focal points for weird images depicting infinite possibilities. As Pallin battles to save Kore from the Eugenicists, who wish to terminate her, the situation escalates dramatically when Kore begins to physically alter, existing in a series of superimposed states. These signify alternate possibilities of human evolution which have been until now suppressed and eradicated by the strict rule of the Redoubt Eugenicists, who permit no "abhuman" deviations from the human norm. Kore finally changes into one of the alternate evolutionary forms, the "Little Watcher", and promptly vanishes, the first of many similar metamorphoses all over the Redoubt, many of which are aided by Pallin who has begun to understand that all is not what it seems to be. Certain members of the human race are evolving into something else, and escaping this world and the trap that the rest of the human race is caught in. Under the strict control of the Eugenicists the rest of our species will remain unchanged, eventually losing their struggle with the Watchers, and will become extinct, a strong condemnation of the Eugenicists' interference with and altering of the natural evolution of the human race. Questions are also raised about long held beliefs about the Watchers and the "Little Watchers". Are they really the enemy, or actually allies, trying to help the human race by putting them back on the proper evolutionary path?

I generally do not like authors writing stories set in classic worlds created by other authors. For the most part these recreations never manage to live up to the originals. However, that said, I found "The Little Watcher" to be an enthralling read, full of much of the mystery, imagination, and sense of wonder that made Hodgson's original classic so memorable, whilst being unburdened by the florid, pseudo-archaic biblical literary style that Hodgson for some strange reason imposed on the original novel, and which makes it pretty much inaccessible to all but the most determined modern reader. Stripped of that hindrance, we're now getting a good look at what makes The Night Land such an incredible creation - the ideas, imagination, the sheer originality which even yet has few equals in fantastic literature (remember, the original was written more than ninety years ago), and the portrayal of a distant future Earth environment so alien and incomprehensible that it sends a tingle up your spine. This is one of the most incredibly original and truly alien environments ever created in fantasy or SF, and full marks to Brett Davidson for creating such an excellent follow-up to such an unusual story, no easy task by any means. I'll be looking out for more from him in the future, especially if it's another Night Land story.

Overall, this was for me a fairly average issue of Interzone, with the exception of "The Little Watcher". Several of the other stories were reasonably decent reads, in particular the Mat Coward, Chris Butler, and Paul Di Filippo stories, with "2066 and All That" also being pretty good for a laugh. But the remainder were relatively uninspiring and average, and I'd have rated this issue even lower but for the inclusion of Brett Davidson's excellent story which was easily the stand-out of this month, one which I'll have on my short-list of best stories of 2003.

Amazon Reviews



1. Betterhan the first one
< p> I have been a fan of Hodgson's Night Land since I first read it in the Ballentine Adult Fantasy series by Lin Carter. Yes, it was hard to read because of the horrible misuse of language, but the concepts kept me going. The first modern interpretation of the Night Land by Andy Robertson was brilliant, and if possible, this one is even better. All of the stories in this volume are excellent, but the final story by John C. Wright is so great that it makes the price of this book cheap. What a great story!!!! It ties together Hodgson's Night Land and his House on the Borderland as well as other literary creations, including the Bible. This one story is worth the price of this volume and more, and in addition, you also get more stories that are of excellent quality. In other words, buy this book. I don't care what you pay for it, it is worth it. This is scifi greatness!!!!
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2. Homage to William H. Hodgson's Night Land

In William H. Hodgson's Night Lands Volume 2: Nightmares of the Fall, editor Andy W. Robertson has compiled a series of short stories as a tribute to that great work of the far future - The Night Land. In my view, the best of these stories, which are written by a number of writers including Robertson, are those authored by John C. Wright (2 stories: The Cry of the Night Hound & The Last of All Suns) & Brett Davidson (4 stories: The Astronomer, Minotaur, Little Watcher & Eikon).
Wright has a wonderfully styled descriptive prose and crafts highly engaging stories in both of his contributions to this volume (he also contributed 1 story to Volume 1: Eternal Love). Wright is an outstanding author by any standard. The Cry of the Night Hound is the first story presented in Volume 2. It sets a very high standard for all the stories that follow (11 in total).
Davidson's contributions are grouped together as they follow the life of one of the last Master Monstruwacans, Pallin ex Asphodelos. These are rich and highly imaginative stories indeed. For those who are interested in picking up Volume 1, which I recommend as a prequel to Volume 2 (not everyone adheres to seriality), Davidson contributed 2 stories to Eternal Love.
Robertson is to be congratulated for engaging some fantastic authors in this, the second volume of Night Lands.